外国语学院本科生英语专业毕业论文装订顺序(MLA格式) (注:此格式用于文学、翻译方向的论文) 毕业论文封面(汉语) 毕业论文首页 (英语) 致谢(英文) 毕业论文中文摘要及关键词 毕业论文英文摘要及关键词 目录 正文 尾注(可选) 参考文献(英语文献在前,汉语文献在后) 附录(可选) 附:论文模板(模板内容仅供参考,毕业生可根据实际情况填写)学号:060501010085 从后现代主义视角看《等待戈多》的 反戏剧手法 学院名称: 外国语学院专业名称: 英语教育年级班别: 2002 级5班姓名: 刘海涛指导教师: 李庆东2007 年5月AStudy of "Anti-play" Techniques on Waiting for Godot from the Perspectives of Postmodernism A Thesis Submitted to Faculty of International Studies of Henan Normal University in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts By Your name Supervisor:Li Qingdong May 5, 2007 Acknowledgements (Times New Roman 三号 粗体 居中) I would like to thank all those who have given me their generous helps, commitment and enthusiasm, which have been the major driving force to complete the current paper.摘要(此处为宋体,小二号,粗体) 本文作者尝试从后现代主义的视角去认识《等待戈多》的反戏剧手法,感受贝克特通过此剧所传达的后现代主义精神.这里,本文关注了四个典型的后现代主义特征,它们分别是:主体的消失;深层模式削平;不确定性;戏拟和反讽.通过分析我们不仅看到他对传统戏剧规范所进行的空前激烈的颠覆,也体会到他作为后现代主义的先驱所传达给我们的后现代主义精神.贝克特高超的艺术手法不仅在风起云涌的现代主义文学运动中具有独特的艺术价值,而且在刚刚兴起的后现代主义文学的形式革新中独领风骚. 关键词:塞缪尔·贝克特;《等待戈多》;反戏剧;后现代主义 Abstract(Times New Roman,三号,粗体,居中) Samuel Barclay Beckett (1906-1989) was an Irish-born poet, novelist and playwright, and is admittedly regarded as one of the greatest masters in the literary world of 20th century. His masterpiece Waiting for Godot, is widely regarded as a classic of the Theatre of the Absurd. The writer of this thesis tries to understand those anti-play techniques from the perspectives of postmodernism and perceive the spirit of postmodernism that the play owns. Here, this thesis focuses on four typical features of postmodernism: the dissolution of the subject; depth-less-ness; indeterminacy; parody and irony. By the analysis of Beckett's anti-play techniques in Waiting for Godot, we can not only perceive how he overthrows traditional dramatic regulations thoroughly and extraordinarily but also experience the spirit of postmodernism that he conveys to us as a precursor of postmodernism. The prominent techniques of Beckett not only have inimitable artistic value in modernism movement, which is surging forward at his times but also leads literary excellence in the newly arisen postmodernism. Key words: Samuel Beckett; Waiting for Godot; anti-play; postmodernism Table of Contents Acknowledgements ii 摘要 iii Abstract v Table of Contents viii Introduction 1 PART One The Theoretical Premises 6 1.1 The Dissolution of the Subject 10 1.2 Depth-less-ness 11 1.3 Indeterminacy 12 1.3.1 Indeterminacy of the Theme 12 1.3.2 Indeterminacy of Characters 12 1.3.3 Indeterminacy of the Plot 13 1.3.4 Indeterminacy of the Language 13 1.4 Parody and Irony 14 PART Two Dehumanized Characters and Pairing Relationships in Waiting for Godot 15 PART Three Direct Expression in Waiting for Godot 23 3.1 Empty Stage and Muddle-headed Characters 24 3.2 Disordered Temporal Structure 26 3.3 Devalued Language and Silence Aesthetics 28 PART Four The "Indeterminacy" in Waiting for Godot 33 4.1 Indeterminacy of the Characters 33 4.2 Indeterminacy of the Theme 38 4.3 Indeterminacy of the Plot 40 PART Five Waiting for Godot: Juxtaposition of Comedy and Tragedy 44 Conclusion 50 Works Cited 53 Introduction Samuel Barclay Beckett (1906-1989), an Irish novelist and playwright, is admittedly regarded as one of the greatest masters in the literary world of 20th century. In 1969, he was awarded the Nobel Prize for Literature by right of his eminent play, Waiting for Godot, which has influenced later generations of contemporary playwrights throughout the world. Actually Beckett considered himself a much better novelist and he thought of his plays as diversions undertaken at times when work on his fiction had brought him to a creative impasse, but since Waiting for Godot was first performed in Paris on 5 January 1953, the greater part of his literary career has resulted in his special form of writing for the theatre. The play contains two acts in which two tramps, Vladimir and Estragon, wait for someone named Godot who is
……

欲阅读全文，请下载！